December 3, 2015

Getting my house in order

A little post about tidying.....

There is that saying "it takes a mess to clean a mess". It certainly has been true for me lately. I have been struggling with having a suitable place to create. I have been living in the same place for quite some time, and without a studio to create in. Mostly I convert my kitchen, but not any more. A good friend of mine recommended a book which helped jump-start my motivation to "get my house in order" and I want to recommend it here because it has really made a difference in my life in a short period of time.
This little book, "the life changing magic of tidying up" by Marie Kondo was around $15 on Amazon and worth every penny. I began reading it the day it arrived, its an easy read, I completed in a leisurely 3-4 days in between tidying spurts. Some of the advice she gives if you follow are habit changing, for the better.
First step Discard! It all started with respecting the things I have and discarding what I no longer need. Here are 2 of the 4 bags of clothes I donated, I still have too many clothes in my closet to process.  I also filled my garbage can 2X with irrelevant things that just kept hanging around. I was surprised by the amount that was easy to get rid of immediately after reading the first bit of the book, this ignited the flame and kept me going.
Then I started in on my drawers. The book recommends getting rid of stuff first then re-organizing. It works. It explains how to fold and store clothing efficiently. You can see what each thing is because it is standing on its side. I managed to not only clear out this drawer of unwanted clutter but I was able to add in a box of hankies, pocket squares and all my ties rolled up, my box of watches (I got rid of 3 watches for various reasons) and my extra wallets and day timers. I enjoy opening it to this pretty sight.
I closed that drawer and moved down to my socks. She calls those little rolled up balls that stretch the elastic band potatoes that roll around. I have been doing it that way my entire life. Up until this point I had such a full sock drawer it was difficult to close. I turfed every extra sock I had, and only have new zombie, dress and soft winter ones now. These too are folded on their side to maximize space and so you can see them. I managed to create 2/5 more space where I took my previously hung up scarves and neckerchiefs and got them in the drawer too. I continued down the remaining drawers and still have the bottom most one completely empty at this point. It works!!!!
I started in on the closet, which is not done yet as I got out of my room to tackle some larger areas next.  She recommends doing stuff quickly. Piling everything of like category together in one room, hence all the boos are getting stacked on my empty shelf for now but will be dealt with soon enough. My biggest burden is the thousands of books I've read but still store. Back to the closet, I have a lot of suits and tailored shirts. It is recommended that you hang the longest clothing items to the left and then allow it to gently rise with shorter stuff tot eh right. In this way, my suits are hung far left, followed by jackets, sport coats and blazers. Then sweaters, dress shirts to jeans etc.  I cant wait to show the finished pic.
My studio space. Until now, I could not get in here let alone paint in here. It is basically a place where I store art supplies so I am ready when inspiration comes to me. It is still pretty disorganized even though I have clear labelled bins, I still want to get this area handled.
One thing is I am a Lego maniac, and I have all the boxes from my many kits. I decided I had my fun with them and I doubt I'll sell any of these so I might as well reduce the cardboard the pieces are delivered in. I was surprised how much room this freed up once I flattened them down and put them in the recycling.
All of this allowed me to move a shelf I had in the room into the newly cleared closet space in my studio. It was a squeeze but it fit. I had to take out the make shift clothes rod. It was put up so poorly I nudged it and it fell out on its own. i also took out the shelf that rested on it which housed my empty Lego box collection.
Oh yeah, in order to do all this I also had to empty out 5 totes of miscellaneous stuff. Admit it, we all have it. I returned these plastic bins to their owner, washed out and empty. Boy, am I glad to be rid of that excess. I am beginning to feel happier and freer, which further motivates me to continue this "spring cleaning" type journey. Its been log overdue but at this point the challenge is becoming quite enjoyable. i want to see what else I can get rid in the process.
I slide back in the totes that were on the shelf, the contents of which I will sort and discard and refill with other things at a later date. Some stuff here like all my paintball gear can be sold on craigslist, while the paperwork etc will have to be discarded at a later date. For now this clears up a tonne of room and then that leads me to clear off the metal shelves and completely re-arrange the studio layout entirely. I like the clear bins because you can see what is in them.
I discover a huge box of DVD's and CD's which is falling apart and I don't care whats in it so rather than open Pandora's box, I gift the whole thing to someone who appreciated this sort of thing way more than me and has a fantastic library to choose what is wanted and throw the rest away. My disk drive on my laptop has been dead for a year so there is no point in me keeping these. Besides, I rarely watch a movie twice as there are new things to see, plus I have Netflix, who needs hard copies anyway?! I am sure there are treasures in there, they have gone to a good home.
It gets difficult deciding what is worth keeping etc. The book really lays it out well. I decided to invest in about $160 of matching clear bins from Ikea for all my creativity supplies. I like everything to look uniform and match so to me it's worht the cost. It is no secret I collect all sorts of art supplies, often when it is on sale I pick it up.You never know when inspiration will take over and I want to be ready to be able to make anything at a moments notice. I have every manner of creative tool. Now its a matter of getting it organized and into the right place.  While doing this I decide to challenge myself to get rid of 1 of the two shelves and everything on it. Concentrate. Thank goodness for portable audio.
Here is where the studio has gotten to this fine morning, awaiting more. It's been tough at points. Piles of stuff to be sorted everywhere. You have to make a mess to clean one and I can tell you its good I have a rec room and a living room to spread everything out. The book is all about lightening what you do have to essentials and things that bring you joy. Why else have the stuff?! It has been a lot more work that it looks and I didn't take pictures of every shift, every step, every piece of furniture I moved or dismantled.What I can say is that there is a noticeable life improving shift that I have been experiencing since I began this project. I highly recommend the book and tidying up to change your life.

I'm on a roll still, much more to come!


November 29, 2015

Drawing 1 - Final class

Yet another sad day when my Drawing 1 class comes to a close. This was my best class to date and I'm sad to see my little blossoming artists go, but hopefully they keep up their practice by drawing often.
For the final class I like to revisit the assignment after the first class, a self portrait. I quickly do a demo that encapsulates everything we covered in the past 9 sessions and bring it all together as an effective system to do a final self portrait, in class, so in about 2 hrs and a bit.
They are observing in mirrors for the most part so they start with a strong vertical axis and find comparative measurements to construct the general layout and shape. I am a bit of a stickler for proper proportions at first in order to help learn proper observation and translation onto the page.
Drawing is freeing. You can work in many medias and use many techniques. You can tone the paper and use the eraser to draw lines in light as you would with charcoal for darks. Allowing you to really sculpt the portrait like clay, only as a flat 2D image on paper.

Once the general look is right, some begin putting in their values. Afterward we have a quick critique comparing their first drawings in the class to their last drawings and comment on their observations and improvements during the course. Here are some of the works in no particular order.



You can see that in 10 short classes one can really take it to the limit with drawing!  If you are interested in classes I have more coming up in the winter, including a "life drawing" course at ACAD int he evening, so you'll get instruction and time to make marks based on live models! 



November 26, 2015

Master Painting final class 7

I am really sad to see this class come to completion. I hope next time its offered it is 10 weeks instead of 7. Below are just a few of the many great works my students worked on. I gave a demo on varnishing and gold guilding and added in some contemporary techniques like making and using stencils.
We went up the the 5th floor ACAD spray booth and put on a coat of Golden Archival UV protection varnish which really brought the colors back out on Anne Marie's study of a Velazquez portrait of the pope.
I demoed adding a semi-translucent burnt umber layer over top the grisaille work on the hair to show what the next step can do to really make colors and further paint application pop!
Here some colour stain has been added to the grisaille master copy and it is already starting to have that wonderful glow that so many masterpieces have.
David's portrait of his mom far exceeded the expectations I had for the class in the time given. All the students who had perfect attendance for the 7 short classes really applied the teachings and process in the course I designed, to great effect. They deserve to be very proud for setting the bar high and for creating such high quality works in my class. Amazing, well done class!






November 22, 2015

Another successful oil sampler Sunday at Swinton's

This Sunday I was lucky enough to have a full class of enthusiastic oil sampler participants at Swinton's Art Supply and Instruction. Dont forget to read my article on their website about the creative process here: http://www.swintonsart.com/blog-articles/item/the-creative-process

First I do a little overview of the materials, methods and general concepts. Followed by a colour mixing demo and then I let them get messy and feel the buttery creaminess that is oil paint. Check out their works made in a a short period of time we had in the class.
Now that was an impressive and effective sampler class. Every time I teach it seems to get better and better, just like every time you paint your paintings get better and better.

Practice, practice, practice.





November 19, 2015

Master class and more . . .

I have a bunch of classes quickly coming to an end this semester and a stack of comissions and new works started in the studio.
I drew up a bunch of skulls and intend on filling them in to varying degrees in order to show the stages of the Venetian and Flemish painting methods.
This skull is copied from a painting titled S. Girolamo Penitente by Bartolomeo Di Giovanni.
 I had a little help in my Life drawing class from "Bucky" (Aka. Alex, according to Menika), who may be the skinniest model I've ever worked with but casts a nice shadow.
We had remembrance day off so I had my painting students still paint and what they brought back definitely impressed. These two pieces of his granddaughter were done with two different methods. Grisaille technique on the left and direct application on the right.
I did a deep and thorough lecture and demo on oil paint mediums, glazes and scumbling at the start of the class and here we can see some of that knowledge being applied to her canvases.
Look at those delicious fruits, they look good enough to eat.
Anne Marie's Velazquez copy is the most sophisticated and developed of all the works I've seen her create so far. Great job in honing her very loose painting style for the purpose of this class. High five!








November 15, 2015

Passed this years fundraising goal!!!

15 more days to go. It takes a lot to make it so. Especially your support.

I'd like to thank all those who supported my campaign insofar. Francesca Michel, Greg Ferchau and family, Crystal Montgomery, Benjamin Salloun, Teegan Genereux & Ray Kruger. See how far I'll go for a good cause. It's totally embarASSING, be forewarned, there is male butt nudity in the video, you've been warned.

See more and donate below.

http://mobro.co/brianbunnybatista

November 8, 2015

Support Movember!

this is my second year having a campaign for Movember.  Check out my video post below and go to http://mobro.co/brianbunnybatista


November 5, 2015

More mastery in paint

Was in costco and found this treasure for $50. I had hoped eventually I would find a source which had everything I saw while in Italy in one place, lo and behold, here it is, a massive hardcover text in a folio box, a must have for anyone who loves this era of master works, frescos and paintings!
 I huffed many a heavy text book and supply up the hill for my class. I'm too cheap to pay $11 for ACAD parking so I climb the hill wiht all my syuff panting by the time I reach the top.
This is Sues third painting ever and she is starting to see how important the role of values play in her application of acrylic colour. She is one of a few students not using oil in the class.
I am really proud of the students progress in so far. we are just over half way in our 7 week long studies and their pieces are developing wonderfully.
Blocking in the major hues on a painting whose source is a black and white photo.
Hes got his two pieces developing nicely and since he owns a printer at home he has great colour and tonal references that he has promised to give me as a teaching aid for future courses I give. So sweet.
Mixing up some peachy apricot colours in rich creamy oil. She decided to add some other elements to balance out the overall composition.
The granddaughter portraits are coming along. Now begins more fat over lean. We don't have class on remembrance Day next week, but following I will be giving may a recipe for mixes and glazes.
Final blocking in of the portrait with direct application. By nest session the artists should be well on their way to completion of their pieces and begin working in details etc with fatty paint and a thinner brush. I will be giving a glazing and gold leafing demonstration along with notes about the materials they can use as they approach finishing their paintings.