dead coloring begins to bring Ganesh to life.
As is my practice, I work on many pieces at once. My method keeps my mind keen and helps keep me busy rather than watching paint dry. It is oil paint after all. I am currently working back and forth between the two paintings, I have posted here recently. This is how the elephant god, Ganesh is progressing.
As is my practice, I work on many pieces at once. My method keeps my mind keen and helps keep me busy rather than watching paint dry. It is oil paint after all. I am currently working back and forth between the two paintings, I have posted here recently. This is how the elephant god, Ganesh is progressing.
I blocked in some bold mustard hue for the skin tone. It was mixed with Raw Sienna, a tinge of Cadmium Orange and lightened with some Naples yellow. The consistency was perfectly creamy, just how I like it, liquid love. It is slightly transparent, once brushed on you can see some of the shadow areas beneath.
I filled in some orange for the fruit. I was feeling Cezanne come thru on the color but I think I may make the fruit peaches, not certain yet. I blended a nice soft blue made of cobalt blue and titanium white for the mid tones of the fabric. Some of the charcoal particles mixed in but I still have lots of work to do on this part anyhow. I blended the leftover blue and mustard yellow to make the grey/green base for the bowl and tusk.I also had enough juice left in me to paint a fancy lotus with a fragile stem. I am happy with the progress, however, didn't feel confident enough to tackle the axe or background so instead I turned my sights on the Rama fall of light, will post tomorrow;)
Thanks to everyone who has been reading my posts!
No comments:
Post a Comment