Epcor show installation

Window Galleries - A View Through the Glass

EPCOR CENTRE Window Galleries (across from Max Bell Theatre)
January 10, 2013 – March 31, 2013
Reception: Thursday, February 7, 5 - 8 pm, Upper Centre Court

Today I installed a new exhibition of my sacred images in the main hallway at the Epcor Centre of Performing Arts.

They already had up these placards that they made for me, super rad! I'm definitely keeping this for my records after the show.

I brought a bunch but not all of the pieces from my collection. Some are too graphic and sexual in nature to display in a city run public space. I wasn't sure with the layout and size of the space how the hanging would go. I bought extra wall hangers for way too much money at the frame ship but they were necessary since the art supply store I hit on the way was out.

The difficult thing about the space is hanging the work so that the metal strips down the center of the windows does not hinder the view.  I had odd sizes and the lighting can't be controlled, but you do the best you can with what you've been given. The nice part is the walls are black which really helps to set off my bright colored paintings.

It was a fair bit more challenging than expected to hang the work. The walls were plywood, bending my nails. It was hard to measure off but with a little trial and error I nailed it. No pun intended. Who am I kidding, puns are usually intended. There is still a bit more work to do in terms of adding some writing to help contextualize the work for viewers but other than that the show looks really good.

Here is a link for more info:

http://www.epcorcentre.org/WhatsOn/ShowDetails.aspx?show_id=E442E2DB-8F9C-4DA0-B6B3-414F7410299B

Window Galleries - A View Through the Glass

EPCOR CENTRE Window Galleries (across from Max Bell Theatre)
January 10, 2013 – March 31, 2013
Reception: Thursday, February 7, 5 - 8 pm, Upper Centre Court

Well hung.

I dropped off the work to the Stride Gallery last night and began hanging the work in the gallery today. It has been a strange journey to this point. I'm feeling remarkably vulnerable and a bit nervous about this opening. It feels strange, the work isn't exactly how I imagined it looking and it seems so much smaller now that is is out of my studio and in a big empty gallery.

Here my buddy Ben is putting the final painting into the studio freight elevator to bring to the loading dock.

It was a crisp and snowy Monday at around dinner time, the pieces are all lined up outside the loading dock.

We loaded them into the trailer. Each piece has a little foam separator between them and then the whole lot was strapped to the sidewall so they wouldn't shift in transport.

Went to Stride, measured each piece and spent some time figuring out where the work would go. This is the hard part of the job I didn't anticipate taking so much out of me, but in the end I'm happy. Larissa Tigglers is so extremely helpful in hanging the work - a real superstar! I greatly appreciate her experience and knowledge. We ended up hanging the works a little higher as per my desire at 60" from the ground to the painting center, that way you have to look up a bit at the deities.

More to come, Come out Friday!

Local-Motion

So come on, come on, view some local artwork with me........

I have the rare opportunity to hang work in a new development in the Calgary art scene.  A new gallery is opening up in Eau Claire Market called Motion Gallery. "What is in a name, that we are thus or thus?" Well...... Motion: because it had to come together quickly. Maybe in hopes to moving lots of artwork. Hopefully not because the gallery will be short live and have to move. It is a huge space where artists can buy in for $50 and hang their work with little restriction.  There is a lot of space, but I know with my artistic drive I could personally fill it if need be.  If you are an artist reading this and are interested, get involved. Hang beside me. Drop me a line and I'll point the way.

Dealtails for fellow artists and creative vendors: 
The gallery takes a 15% commission on top of the membership fee, they provide staffing daily so you can drop off your stuff, put up a price an cross your fingers. Its only $50 to take a chance. The downside is that it is the slowest time of the year for Eau Claire Market and there is virtually no advertising or marketing plan for the gallery. The upside is the location. I am told that many business people go there for lunch and browse around during their break. This alone should promise some traffic. If you have seen what kind of trinket stores are in there, an art gallery should have no problem opening its doors, people will hopefully browse the collection in droves.  In my experience, as long as you keep getting your work in front of peoples eyes, you can find someone interested in buying work and/or supporting the arts.

I threw up these three pieces quickly. I will be dropping off more works in the days to come.

The gallery has sufficient track lighting suspended form the ceiling. In order to create a sense of uniformity before the opening all the information and sales tags including artist CV's and bios will be created by the gallery. As soon as the gallery gets filled, the doors will open. 20 is the perfect number of artists to have on the roster for a space this side but I am sure more can be accommodated. By the looks of it, there will be an opening party this Saturday, but I will keep you posted as things develop.

There are patterns everywhere. I made the observation to my room mate yet again that the magic of observation and what we say often comes to fruition, but in far more eloquent terms.  The other day while at EMMEDIA, I was talking to Noel about the stretchers I bought off of his mom Carol Green.  I told him that I needed larger stretchers for the work for my show next year at the Stride Gallery. He asked if I got the cedar ones he made with the smooth bevel. I didn't.

I was letting my friend into the studio to move his stuff again last night and I noticed some frames sitting by the elevator. I asked them if they were theirs. They said "no" they have been there for days. it didn't take me a second to grab up that opportunity. This is why I feel like the luckiest guy in the world.  Not only did I score some free stretcher bars of unequivocal stability and quality for nothing, but they are the exact size I need, and potentially the exact ones we were talking about a few days prior.

If there was an series of steps,
it might look like this.....

1) Put it out there (make a wish)

2) Wait

3) Observe and listen for a response or an Opportunity,

4) Act. Jump on it!

5) Continue to make wishes

Snow White

Snow day!
On my way home from watching Immortals in 3D, Calgary was swept by a tumultuous blizzard. Stayed in until it passed. A friend needed my access card to the studio to move his stuff out from the studio below. Meanwhile, I prepped the canvases I primed by sanding, hanging picture wire and hanging them in my studio. Now my canvas is blanketed in white like the snow has done to this city. To me, I see blank potential. A fitting paraphrased quote from the WHITE wizard to go along with the momentum of this idea:

"All you have to do is decide what to do with the time that has been given"
 -Gandalf the White

 The two to the left are around 4 feet square and the two to the right are 5 feet by 5 feet, the canvases stretchers I bought off Carol Green last week.